Home

Advertisement

Customize
 
 
27 August 2007 @ 09:34 pm
Portrait drawings by Wilhelm Hensel (1794-1861)  


E.Th.A Hoffmann, the writer of fantastical stories, looking just as he ought; bizarre unforgettable features. About 1820.



A portrait of Paganini, who has signed the drawing with his devil's trill; 1828.


The philosopher Hegel in 1829; amazingly lucid features for a man who wrote such obscure and alembicated prose. You can sense the power of his intellect, the finest of all these portraits in my view. Such eyes.


Rahel Varnhagen von Ense, a writer and prominent figure in the intellectual society of Berlin. She was of Jewish birth but converted to Christianity before her marriage. This dates from 1822.


Felix Mendelssohn-Bartholdy in 1837. A relative late and superficial portrait. Hensel also made a portrait of Mendelssohn as a child, but I don't care for it, it makes him look like Little Lord Fauntleroy.


Heinrich Heine, 1829. Although this is not the most fluent of these drawings, it brings out a distinctive side of the poet's character. Heine has inscribed it, 'Eh bien, cet homme c'est moi!'.


Karl Friedrich Schinkel, 1824; the great Neoclassical architect. We have had some of Schinckel's paintings of imaginary Gothic architecture here earlier in the year.


The Romantic poet Clemens Brentano in 1819, looking soulful and more than a little Italian.


Alexander von Humboldt in August 1858.
 
 
( Post a new comment )
Malkhos[info]malkhos on August 28th, 2007 04:32 am (UTC)
A very nice collection. Note, however, that the Devil's Trill is by Tartini.
Malkhos[info]malkhos on August 28th, 2007 04:36 am (UTC)
By the way, I can't say I've ever seen Hoffmann Portrait before (though he is a favorite of mine--I have a CD of his Udine and a collection of his short stories--always keep meaning to get around to Kater Mur but still have not). Here he resembles unfortunately 'Dr. Zachary Smith' the comic-releif villian from one of the most awful television shows ever produced in America.
petrusplancius[info]petrusplancius on August 28th, 2007 10:57 am (UTC)
I looked him up on Google and see what you mean!
Dominic[info]algabal on August 28th, 2007 12:06 pm (UTC)
I very much like the Schinkel and the Heine.

I'm interested in why you are compelled by portraits of notable figures, particularly of this era (the early to mid 19th century)?
petrusplancius[info]petrusplancius on August 29th, 2007 09:57 am (UTC)
Schinkel has a very interesting face, and the Heine drawing is quite revealing in its way (I like that sense of wry detachment, but I also like writers to be able to entirely identify themeselves with what they are saying and feeling, and Heine was always to anxious to provide himself with a fire-escape). Here I was just trying to pass on something that I have enjoyed, for Hensel seems to have met almost everybody who was much interest in the cultural life of Germany in his time, and I think he has left a fascinating record in the series of drawings that he made of them (there are many more). So the time-range was determined by that, though it falls within that period from about 1770 to 1870 during German culture seems to me to reached its finest heights.
Dominic[info]algabal on August 29th, 2007 06:11 pm (UTC)
I would even extend that range of German cultural mastery well into the 1920s, to encompass people like Franz Von Stuck, Richard Dehmel, Stefan George, Otto Julius Bierbaum, etc.
petrusplancius[info]petrusplancius on August 29th, 2007 08:21 pm (UTC)
Oh indeed, I wasn't meaning to imply that there wasn't anything good, or that I like, later than that period; Rilke especially I would add and quite a few artists (I don't really know George beyond the anthology pieces and didn't realize who Algabal was until you explained the other day); though I don't personally feel as much at home in Germany after the unification.
All the Strange Hours: prussian eagle[info]mendaciloquent on August 29th, 2007 12:14 am (UTC)
Wonderful sketches. Do you mind if I add you? This journal is rather interesting.
petrusplancius[info]petrusplancius on August 29th, 2007 09:14 am (UTC)
Please do, under the terms of the founder's will the gallery is open to all, and there are not even any attendants looking over the visitors' shoulders. [I visited a museum in France recently which was housed in the the collector's home, which had been left almsot exactly as it was when he died; by the use of security cameras, they had dispensed with attendants except in the entrance hall, and one could wander from room to room in complete solitude (for there weren't many visitors either); now that is my idea of a perfect gallery.]
lordtangent: rimbaud[info]lordtangent on August 29th, 2007 02:37 pm (UTC)
Clemens Brentano has some very expressive eyelashes.
petrusplancius[info]petrusplancius on August 29th, 2007 09:11 pm (UTC)
Indeed, every romantic poet should have eyelashes like that.
 
 

Advertisement

Customize